The Connection: Between Plants, Humans and Other Animals
We decided to conduct a thought experiment: Everything in our world is connected to everything else, in a living network in which we all depend on one another. But what if we stopped seeing humans as exceptional beings at the centre of our existence, and tried instead to adopt more-than-human perspectives?
This radical change of perspective puts the focus on the search for non-anthropocentric perspectives and thus a review of nature films in general. What stories can be told about this? What could films dealing with this look like?
The films’ directors allow plants, stones and animals to run riot, make noises and form swarms: they interlink all of this with music and sounds in novel combinations. Out of this, beguilingly beautiful new ways to view the world emerge – sometimes as a fast-paced flickering film, sometimes on the smallest atomic level. This new gaze opens up critical views of changeable social structures and offers utopian visions of the equal treatment of the players involved – views that inspire hope. What do we see when we look at others? How do ›the others‹ look back at us?
Studied theatre, film and television as well as Romance and German literature (gaining an MA) at the Ruhr University Bochum, the Sorbonne in Paris and the University of Glasgow. Since 1996, she has worked as a freelance film curator. She devises programmes, workshops, talks and ideas for various festivals and symposia in film and theatre, since 1996 mainly for femme totale / Internationales Frauen Film Fest Dortmund+Köln.
She works in film and theatre as dramaturge, researcher, production manager and organiser. She hosts events, does press relations work, manages projects for the Nacht der Jugenkultur (youth culture event in North Rhine-Westphalia), and publishes work on radio and in print media. She also sits on international jury panels, including in Tel Aviv, Yerivan, Innsbruck, Prishtina, Seoul, Bozen, Taipei, Lessinia. As a regular member of the Transnationales Ensemble labsa in Dortmund, she has spent recent years looking more closely at the issue of attributions of identity. She has completed collaborative film projects and workshops, including I speak so you don’t speak for me. In 2018, she curated the film programme About Germany in order to reflect on how certain forms of exclusion and racism have built up in the realms of politics and media. This also includes looking into the past in order to frame the phenomenon of migration historically. In this context, a new perspective of East-West German history also emerged. Selected current programmes: Kultur@Gefängnis since 2015 in Germany’s Ruhr region | About Germany (IFFF 2018) | Wahnsinn. Widerstand.Wut – Ein fiebrig-feministisches Filmprogramm in drei Akten (Schillertage Mannheim2019 film festival) | In This Together (Women Make Waves Film Festival, Taipei)
»My desire and purpose is to engage with others in thinking about ourselves in the world and to find ways of talking about that, always keeping the debate new and fresh: This is an inspiring struggle which is not possible everywhere. IFFF Dortmund+Köln has always been – and still is – a setting that is open to committed voices, alliances and positions that don’t just follow the standard. That’s a strength that we want to maintain and not something we take for granted.«
Previous Focus topics have included: After Reunification 1990 | 2020 (2020) Image Traps (2019) In Control (2017) Comfort (2015) Excess (2013) NOW WHAT – Films about Getting out of Here (2011) Freedom (2009) Music (2007) Money (2005) Kiss-proof: who’s kissing who, when and why? (2001) Uncanny Pleasure (1997) The Subversive Power of Laughter (1993) The Female Machine Saboteurs (1991)
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