Diario de Mi Sextorsión
My Sextortion Diary
Patricia Franquesa
A message from a friend leaves Pati in shock. After her laptop is stolen, a hacker sends nude photos of her to contacts in her address book. The hacker confronts Pati directly, demanding money in exchange for not distributing the images more widely. In a state of mental turmoil, Pati retreats behind her screen, only to discover that thousands of other people around the world have fallen victim to sextortion – threatened with the publication of their most intimate photos. With indifferent and inefficient authorities offering no help, Pati realises she has to find her own way out of this nightmare. In a desperate yet bold act of self-empowerment, she overcomes her shame and decides to share the images on her social networks, stripping the blackmailer of his power. Produced for the most part as a desktop film with a fragmented, collage-like aesthetic, the video diary documents Pati’s search for clues and options, while turning her audience into voyeurs of her digital journey. This deeply personal film confronts the realities of digital violence and the emotional, social and legal challenges victims face.
Patricia Franquesa
Patricia Franquesa ist Regisseurin, Produzentin und Mitbegründerin von Gadea Films. Sie verfügt über einen Abschluss in Audiovisueller Kommunikation der Universität Ramón Llull und einen Master in Kreativem Dokumentarfilm der Universität Pompeu Fabra. Ihre Karriere begann sie in Tel Aviv, wo sie an Projekten wie Censored Voices (Mor Loushy, 2015) und Die Oslo-Tagebücher (Mor Loushy, Daniel Sivan, 2019) arbeitete. Zurück in Barcelona und nach der Gründung von Gadea Films produzierte sie La Mami (Laura Herrero Garvín, 2019). Ihr Regiedebüt gab sie mit dem preisgekrönten Dokumentarfilm Oh Dear Sara (2021) über Sara Bahai, Afghanistans erste Taxifahrerin.
Filme von Patricia Franquesa
Oh Dear Sara 2021
Preise für My Sextortion Diary
Best Documentary Film – Gaudí Awards 2025, Barcelona