»I would like spectators to realize that we human beings are not the centre of all things. We are but one part of a cycle in nature. I must construct a story where the conclusion is that this immense cycle – inside of which all of us exist – is of divine essence.«
– Naomi Kawase

Kyoko and her friend Kaito live on the island of Amami-Ōshima in the Pacific Ocean. Surrounded by stunning scenery and closely connected to nature, the teenagers enjoy their first taste of love. Both have to deal with dramatic family situations: Kaito’s father has abandoned the family, and the boy is hurt and embarrassed to discover his mother is involved with other men. Kyoko’s mother, the village shaman, on the other hand, is terminally ill with a tumour. Kyoko and her father bring her home from hospital so that she can spend her last days with her loved ones. It is a simple place, right by the sea, where the three face their fate with strength, love and dignity.

In magnificent images, Kawase reflects on themes such as life in harmony with nature and the eternal cycle of life and death. The Japanese film-maker describes Still the Water as her most important and significant film to date.