Call Her Applebroog
Beth B
In 2016, Beth B completed her long-standing documentary film project about her mother, New York sculptor and painter Ida Applebroog. Call Her Applebroog is the complex portrait of an artist who preoccupies herself with her past. The sketches, paintings and diaries she has produced over many decades tell the story of a woman who found psychological and sexual freedom through her art. Now, aged over 80, she is prompted by the artistic and personal curiosity of her daughter to reappraise her own provocative early work.
»I made this film over the course of fifteen years. I hadn’t really intended to make a film about Ida. It was more like I was documenting her work. She really did not want to be filmed. She’s such a private person.
As time went on I started to realize this was my next passion project. I think it was only through the course of those many years that a different kind of trust developed. But still there were times when she got frightened. There was a time when she said, I want to be able to see it before it goes out. I want to be able to take something out if I don’t like it.
At first I said, sure. But I’ve never allowed anybody to do that. I realized I was editing and trying to mind-read her reaction at the same time. I wrote to her and said I really can’t make this film if I need your approval. Because then I’m not making the film from my point of view.
That’s really when the issue of trust loomed large for both of us. I said if you can’t trust me, who can you trust?«
– Beth B
Beth B
Nach ihrem Abschluss an der School of Visual Arts im Jahr 1977 enterte Beth B die New Yorker Filmszene der späten 70er Jahre. Sie realisierte über dreißig Filme narrativen, dokumentarischen und experimentellen Genres, die beim Sundance Film Festival, dem New York Film Festival, der Berlinale und dem Locarno Festival sowie in Galerien und Museen wie dem MoMA, der Whitney Biennale, der Tate Modern und dem Centre Pompidou liefen. Ihre Arbeiten wurden in Retrospektiven am National Film Theater in London, dem Dänischen Filminstitut, auf dem Montreal Film Festival und beim Núcleo dos Cineastas Independentes in Lissabon gezeigt. Beth Bs Werk hinterfragt gesellschaftliche Konventionen, ergreift Partei für Underdogs und stellt soziale Fragen und Menschenrechte in den Fokus.
Filme von Beth B (Auswahl)
Exposed 2013 | Breathe In/Breathe Out 2000 | Visiting Desire 1996 | Two Small Bodies 1994 | Salvation! 1987 | Vortex 1983 | The Trap Door 1981 | The Offenders 1980