Curator The Film All-Nighter
The Film All-Nighter: Radical Accomplices
»I don’t want your shame
It doesn’t belong to me
You can’t have my tongue«
Tongues – Tanya Tagaq
The Film All-Nighter of accomplicity with radical heroines and feminist artistic practices from 1907 to 2023. It all starts with housemaid Cunégonde, who gives the starting signal for the great spring clean in her master’s bourgeois apartment, an anarchic reckoning with power relations in the early 20th century.
The video techniques of the 1980s and 1990s create new ways of seeing and hearing, traditional narrative formats are ousted by formal radicalism. The protagonists seek change and sexual self-determination and rebel against established gaze regimes, traditional role patterns and patriarchal structures in society and in film. The productions are of unsparing yet distanced directness; distraction is not allowed.
Long-term followers of the Festival show early formative works: they use feature films as starting points and interact with their characters. Narratives are rewritten critically and humorously to gain new perspectives on mass media formats. Documentary poetry, comic choreographies, re-enactments: the film-makers are often protagonists in their own narratives, embarking on a cinematic offensive with unpredictable twists and turns.
Curator The Film All-Nighter
Grew up in the Ruhr. Spent a year in the cinemas of Paris and discovered her love for film. Studied film, television and theatre, Romance languages & literature and social psychology at the Ruhr University in Bochum. Worked on the Ruhr University’s student-run International Video Festival, and subsequently has worked for various film festivals (incl. the International Short Film Festival Oberhausen, the Dok & Videofest Kassel) as well as a freelance curator and translator.
»At every IFFF Dortmund+Köln I get the chance to discover inspiring films that I would otherwise never get to see.«
Curator Focus
Studied theatre, film and television as well as Romance and German literature (gaining an MA) at the Ruhr University Bochum, the Sorbonne in Paris and the University of Glasgow. Since 1996, she has worked as a freelance film curator. She devises programmes, workshops, talks and ideas for various festivals and symposia in film and theatre, since 1996 mainly for femme totale / Internationales Frauen Film Fest Dortmund+Köln.
She works in film and theatre as dramaturge, researcher, production manager and organiser. She hosts events, does press relations work, manages projects for the Nacht der Jugenkultur (youth culture event in North Rhine-Westphalia), and publishes work on radio and in print media. She also sits on international jury panels, including in Tel Aviv, Yerivan, Innsbruck, Prishtina, Seoul, Bozen, Taipei, Lessinia. As a regular member of the Transnationales Ensemble labsa in Dortmund, she has spent recent years looking more closely at the issue of attributions of identity. She has completed collaborative film projects and workshops, including I speak so you don’t speak for me. In 2018, she curated the film programme About Germany in order to reflect on how certain forms of exclusion and racism have built up in the realms of politics and media. This also includes looking into the past in order to frame the phenomenon of migration historically. In this context, a new perspective of East-West German history also emerged. Selected current programmes: Kultur@Gefängnis since 2015 in Germany’s Ruhr region | About Germany (IFFF 2018) | Wahnsinn. Widerstand.Wut – Ein fiebrig-feministisches Filmprogramm in drei Akten (Schillertage Mannheim2019 film festival) | In This Together (Women Make Waves Film Festival, Taipei)
»My desire and purpose is to engage with others in thinking about ourselves in the world and to find ways of talking about that, always keeping the debate new and fresh: This is an inspiring struggle which is not possible everywhere. IFFF Dortmund+Köln has always been – and still is – a setting that is open to committed voices, alliances and positions that don’t just follow the standard. That’s a strength that we want to maintain and not something we take for granted.«
The Film All-Nighter of accomplicity with radical heroines and feminist artistic practices from 1907 to 2023. It all starts with […]