International Debut Feature Film Competition

International Debut Feature Film Competition

»I FIND HARD TO BEAR THE IDEA THAT THE FACT THAT I AM A WOMAN COULD STOP ME BEING OR DOING WHAT I CHOOSE.«
RACHEL LANG, DIRECTOR OF BADEN BADEN

How does this generation find its place in the world?
The number of first films made by women directors is increasing every year. This time round, the competition films so nominated come from countries as varied as Bulgaria, Belgium, Germany, Ecuador, Great Britain, Israel, Hungary and the USA. That increase is gratifying, yes, but not only in terms of gender equality. We also discover the much calledfor diversity in this section of debut films. Equally, it is striking that a critical look at the challenging circumstances of our time for women in the transition from adolescence to adulthood runs like a thread through many of the latest films made by women.

Songs My Brothers Taught Me follows the destinies of two hopeful Lakota teenagers growing up on one of the Native American reservations notorious for an unemployment rate over 80%. Sand Storm tells the story of a young Bedouin woman who lives with her family in the Israeli Negev desert as she attempts to escape patriarchal social structures. In the Hungarian entry The Wednesday Child, a rebellious young mother tries to get her life under control and regain custody of her 4-yearold son by using a microcredit to open up a small laundry. Or, in the summer film Baden Baden, we accompany a young Belgian woman who, charmingly disorganised, checks out why we are here and where our path in life should lead us.

»Women are the perfect members of a neoliberal society« according to cultural theorist Angela McRobbie. She argues that women have so internalised all demands made on them – from economic independence to perfect motherhood – that their power of self-control is stricter than any outside control. Well, the women directors of the films in the competition seem to be aware of this immense pressure and thus their films deal in impressive formal variety with the question of how this generation of women can find its rightful place in our world.

_Stefanie Görtz

Curators:

Awardees
2022: Gessica Généus Freda (HT / FR / BJ)
2020: Maya Da-Rin A Febre (BR/DE/FR)
2018: Carla Simón Estiu (ES)
2016: Ana Cristina Barragán Alba (EC)
2014: Neus Ballús La Plaga (ES)
2012: Belma Baş Zefir (TR)
2010: Susanna Nichhiarelli Cosmonauta (IT)
2008: Aurélia Georges L’Homme Qui Marche (FR)
2006: Claudia Llosa Madeinusa (PE)

Jury

Angelina Maccarone

Angelina Maccarone wrote song lyrics for (amongst others) Udo Lindenberg, a German popstar, before graduating from the University of Hamburg with a degree in German and American studies. In 1992 she began to write first screenplays and then in 1995 she presented her legendary debut Will Mausi Come Out?! As director and writer, she made various films for cinema and TV which ran at international festivals. With Punish Me, she won the Golden Leopard at the Festival del film Locarno in 2005. Since 2014, Maccarone has been a professor of film directing at the Film University in Babelsberg › Konrad Wolf ‹. She is currently working on another film.

Ana Cruz Navarro

Ana Cruz Navarro graduated in communication sciences before studying film at the University of Southern California and specialising in documentary film direction at the BBC in London. For over thirty years, she has worked as a screenwriter, producer and director. She has written three books. She was Vice-president of Production and Programming at TV Channel 22 and director of the Mexican Cineteca Nacional. In 2014, she acted as adviser to the President of the National Council for Culture and Arts in Mexico. She is currently working on a new documentary.

Marilyn Watelet

Marilyn Watelet began her career at Belgian TV. In 1975, with Chantal Akerman, Watelet set up the Paradise Film Company, where she worked on many of the exceptional director‘s films – from A Whole Night (1982) to Down There (2006). As a producer, location manager and assistant director, she was involved in over thirty feature films and documentaries. In 1994, with End of the Century, a documentary about Havana‘s largest department store, she launched out on her own. Since 1992, she has held a teaching post at the Institut National Supérieur des Arts du Spectacle et des Techniques de Diffusion (INSAS) in Brussels. She is currently active as a radio director.

Alba

Ana Cristina Barragán

EC / MX / GR
2016
Feature Film
98’

»I search for a narrative that evokes strong feelings by telling only a few things, by showing just the tip […]

BE / FR
2016
Feature Film
95’

»Every movie is an immense adventure of initiation, every experience of writing, of shooting and editing is a prototype. But […]

Liebmann

Jules Herrmann

DE
2015/2016
Feature Film
82’

»There’s a magical place in Picardy, where the peacock calls and wondrous things seem to occur all on their own. […]

Sand Storm

Elite Zexer

IL
2016
Feature Film
87’

The celebrations in a Bedouin village on the edge of Israel’s Negev desert are in full swing. Jalila is host […]

US
2015
Feature Film
98’

»Anything that runs wild has got something bad in them. You want to leave some of that in there, because […]

The Violators

Helen Walsh

GB
2015
Feature Film
97’

The 16-year-old Shelly lives with her brothers Andy and Jerome on a council estate in Cheshire – more a mother […]

The Wednesday Child

Lili Horváth

HU / DE
2015
Feature Film
94’

»You were born on a Wednesday and a Wednesday’s child can achieve in life anything it wants,« were the last […]

Thirst

Svetla Tsotsorkova

BG
2015
Feature Film
90’

»Thirst is a film about the kind of love that comes upon us when we least expect it [and] forces […]