The Houses that Are Left
Shelly Silver
New York at the start of the 1990s. Chris and her three friends manage to get by, working on jobs that they don’t really like and living out relationships that are more or less fulfilled. But what they do not realise: they are under observation from the Otherside – i.e. five dead persons gathered in a control room monitor events and eventually begin to interfere in the lives of the living. Driven by love, murder, jealousy and revenge, a labyrinthine story unfolds situated between mystery story and crime lit, documentary film and TV melodrama.
Film programme E for Exhaustion
Shelly Silver
Die New Yorker Künstlerin Shelly Silver erforscht das Spannungsfeld zwischen Öffentlichem und Privatem, Narrativem und Dokumentarischem sowie das Verhältnis zwischen Subjekt und Objekt der Betrachtung. Ihre Arbeiten wurden weltweit ausgestellt und waren u. a. im MoMA in New York, in der Tate Modern, am Centre Pompidou, dem Museum of Contemporary Art in Los Angeles, dem Yokohama Museum, dem Londoner ICA und auf den Filmfestivals von London, Singapur, New York, Moskau und Berlin zu sehen.
Filme von Shelly Silver (Auswahl)
5 Lessons and 9 Questions about Chinatown 2009 | In Complete World 2008 | Suicide 2003 | 37 Stories About Leaving Home 1996 | Former East/Former West 1994 | April 2nd 1994 | We 1990 | Getting in. 1989 | Things I Forget to Tell Myself 1989 | Meet the People 1986