{"id":532,"count":2,"description":"<h2>Awkward women who don't have to go under<\/h2>\r\nWomen directors winning prestigious awards (BAFTAS, Oscars) \u2013 this is something new. One-off events, or \u00bbthe first of many\u00ab, as the first woman Oscar award winner Kathryn Bigelow hopes; the coming years will tell. The works of the women who are introducing their first films here gives reason for hope. There were more submissions this year for the International Debut Feature Film Competition for Women Directors than ever before. The pre-selection for the competition for the prize of 10,000 Euro comprised of 90 films from more than 40 countries. These range from moving narrative cinema to fractious low-budget\r\nproductions.\r\nThe characters developed by these directors, who are mostly the autheurs of their films as well, reveal a strength and the greatest moment of surprise. They create female figures that are non-conformist, bothersome or disagreeable. Life does not always mean well with them, their strategies are not always crowned with success, but they are allowed to stay the way they are. Some of them have partners who tolerate and want such characters, female awkwardness is no longer automatically admonished with an absence of personal relationships.\r\nSophie Deraspe sends her young protagonist in <strong>Les signes <\/strong><strong>vitaux<\/strong> on an inner search for meaning after the death of her grandmother. This leads, through working on a palliative ward, to an obsessive analysis of issues of life and death, leaving her on-and-off lover on the outside for a long time. Sarah Leonor shows great promise as an actor and director in <strong>Au Voleur<\/strong>. With Florence Loiret Caille, she partners the intensive Guillaume Depardieu in his final role as a petty criminal with an actress who makes the leap from a middle-class teacher to the brief dream of Bonnie &amp; Clyde happiness with playful ease.\r\nL\u00e9a Fehner, who has already won awards for the screenplayof <strong>Qu\u2019un seul tienne et les autres suivront<\/strong>, brings together the lives of three characters in the visiting room of a prison in her brilliantly nested episodic film. A prison in the Lebanese desert is also the destination in Dima El-Horr\u2019s film <strong>Every Day Is a Holiday<\/strong>. Unforgettable images portray the story of the uncomfortable and dangerous journey of three women in a country in a continuous state of unrest. The coming-of-age comedy<strong> Cosmonauta<\/strong> takes us to Italy in the 1960s. Her passion for the Russian space mission and the Communist Party makes 15-year-old Luciana anything but a popular ragazza. But she sticks it out. In the best traditions of British cinema, Sallie Aprahamian describes in <strong>Broken Lines<\/strong> a love story that is only possible due to the state of emergency in which the lovers find themselves for a short time. <strong>Agua fr\u00eda de mar<\/strong>, on the other hand, by Paz F\u00e1brega, seems to be very surreal. The winner of the <em>Tiger Awards<\/em> mysteriously entwines the lives of a 7-year-old runaway girl and a young middle-class woman on the beach of the Pacific coast of Costa Rica. <strong>Eine flexible Frau (The Drifter)<\/strong> is about unemployed Berlin architect Greta, 40, who is anything but flexible, but she is determined not to let things get her down. The German contribution from Tatjana Turanskyj is a statement on feminist positions as has not been seen for a long time.\r\n\r\nWhat will eventually make it into the cinema from this impressive range of women\u2019s film creativity is a different, less pleasing story. But whatever the case, there are many of them: women directors whose next works will be awaited with great anticipation.\r\n\r\n_Stefanie G\u00f6rtz","link":"https:\/\/frauenfilmfest.com\/en\/movie-category\/international-feature-film-competition-for-women-directors-en-2010\/","name":"International Feature Film Competition for Women Directors","slug":"international-feature-film-competition-for-women-directors-en-2010","taxonomy":"movie_cat","parent":531,"meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>International Feature Film Competition for Women Directors - Internationales Frauen Film Fest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"International Feature Film Competition for Women Directors - Internationales Frauen Film Fest\" \/>\n<meta property=\"og:description\" content=\"Awkward women who don&#8217;t have to go under Women directors winning prestigious awards (BAFTAS, Oscars) \u2013 this is something new. One-off events, or \u00bbthe first of many\u00ab, as the first woman Oscar award winner Kathryn Bigelow hopes; the coming years will tell. The works of the women who are introducing their first films here gives reason for hope. There were more submissions this year for the International Debut Feature Film Competition for Women Directors than ever before. The pre-selection for the competition for the prize of 10,000 Euro comprised of 90 films from more than 40 countries. These range from moving narrative cinema to fractious low-budget productions. The characters developed by these directors, who are mostly the autheurs of their films as well, reveal a strength and the greatest moment of surprise. They create female figures that are non-conformist, bothersome or disagreeable. Life does not always mean well with them, their strategies are not always crowned with success, but they are allowed to stay the way they are. Some of them have partners who tolerate and want such characters, female awkwardness is no longer automatically admonished with an absence of personal relationships. Sophie Deraspe sends her young protagonist in Les signes vitaux on an inner search for meaning after the death of her grandmother. This leads, through working on a palliative ward, to an obsessive analysis of issues of life and death, leaving her on-and-off lover on the outside for a long time. Sarah Leonor shows great promise as an actor and director in Au Voleur. With Florence Loiret Caille, she partners the intensive Guillaume Depardieu in his final role as a petty criminal with an actress who makes the leap from a middle-class teacher to the brief dream of Bonnie &amp; Clyde happiness with playful ease. L\u00e9a Fehner, who has already won awards for the screenplayof Qu\u2019un seul tienne et les autres suivront, brings together the lives of three characters in the visiting room of a prison in her brilliantly nested episodic film. A prison in the Lebanese desert is also the destination in Dima El-Horr\u2019s film Every Day Is a Holiday. Unforgettable images portray the story of the uncomfortable and dangerous journey of three women in a country in a continuous state of unrest. The coming-of-age comedy Cosmonauta takes us to Italy in the 1960s. Her passion for the Russian space mission and the Communist Party makes 15-year-old Luciana anything but a popular ragazza. But she sticks it out. In the best traditions of British cinema, Sallie Aprahamian describes in Broken Lines a love story that is only possible due to the state of emergency in which the lovers find themselves for a short time. Agua fr\u00eda de mar, on the other hand, by Paz F\u00e1brega, seems to be very surreal. The winner of the Tiger Awards mysteriously entwines the lives of a 7-year-old runaway girl and a young middle-class woman on the beach of the Pacific coast of Costa Rica. Eine flexible Frau (The Drifter) is about unemployed Berlin architect Greta, 40, who is anything but flexible, but she is determined not to let things get her down. The German contribution from Tatjana Turanskyj is a statement on feminist positions as has not been seen for a long time. What will eventually make it into the cinema from this impressive range of women\u2019s film creativity is a different, less pleasing story. But whatever the case, there are many of them: women directors whose next works will be awaited with great anticipation. _Stefanie G\u00f6rtz\" \/>\n<meta property=\"og:url\" content=\"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/\" \/>\n<meta property=\"og:site_name\" content=\"Internationales Frauen Film Fest\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@frauenfilmfest\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\\\/\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\\\/\",\"name\":\"International Feature Film Competition for Women Directors - Internationales Frauen Film Fest\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\\\/#breadcrumb\"},\"inLanguage\":\"en-US\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/frauenfilmfest.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"2010\",\"item\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/2010\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Internationaler Spielfilmwettbewerb f\u00fcr Regisseurinnen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#website\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/\",\"name\":\"Internationales Frauen Film Fest\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/frauenfilmfest.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#organization\",\"name\":\"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/menu-logo.svg\",\"contentUrl\":\"https:\\\/\\\/frauenfilmfest.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/menu-logo.svg\",\"width\":214,\"height\":59,\"caption\":\"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.\"},\"image\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/IFFF.Dortmund.Koeln\\\/\",\"https:\\\/\\\/x.com\\\/frauenfilmfest\",\"https:\\\/\\\/www.instagram.com\\\/frauenfilmfestival\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"International Feature Film Competition for Women Directors - Internationales Frauen Film Fest","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/","og_locale":"en_US","og_type":"article","og_title":"International Feature Film Competition for Women Directors - Internationales Frauen Film Fest","og_description":"Awkward women who don&#8217;t have to go under Women directors winning prestigious awards (BAFTAS, Oscars) \u2013 this is something new. One-off events, or \u00bbthe first of many\u00ab, as the first woman Oscar award winner Kathryn Bigelow hopes; the coming years will tell. The works of the women who are introducing their first films here gives reason for hope. There were more submissions this year for the International Debut Feature Film Competition for Women Directors than ever before. The pre-selection for the competition for the prize of 10,000 Euro comprised of 90 films from more than 40 countries. These range from moving narrative cinema to fractious low-budget productions. The characters developed by these directors, who are mostly the autheurs of their films as well, reveal a strength and the greatest moment of surprise. They create female figures that are non-conformist, bothersome or disagreeable. Life does not always mean well with them, their strategies are not always crowned with success, but they are allowed to stay the way they are. Some of them have partners who tolerate and want such characters, female awkwardness is no longer automatically admonished with an absence of personal relationships. Sophie Deraspe sends her young protagonist in Les signes vitaux on an inner search for meaning after the death of her grandmother. This leads, through working on a palliative ward, to an obsessive analysis of issues of life and death, leaving her on-and-off lover on the outside for a long time. Sarah Leonor shows great promise as an actor and director in Au Voleur. With Florence Loiret Caille, she partners the intensive Guillaume Depardieu in his final role as a petty criminal with an actress who makes the leap from a middle-class teacher to the brief dream of Bonnie &amp; Clyde happiness with playful ease. L\u00e9a Fehner, who has already won awards for the screenplayof Qu\u2019un seul tienne et les autres suivront, brings together the lives of three characters in the visiting room of a prison in her brilliantly nested episodic film. A prison in the Lebanese desert is also the destination in Dima El-Horr\u2019s film Every Day Is a Holiday. Unforgettable images portray the story of the uncomfortable and dangerous journey of three women in a country in a continuous state of unrest. The coming-of-age comedy Cosmonauta takes us to Italy in the 1960s. Her passion for the Russian space mission and the Communist Party makes 15-year-old Luciana anything but a popular ragazza. But she sticks it out. In the best traditions of British cinema, Sallie Aprahamian describes in Broken Lines a love story that is only possible due to the state of emergency in which the lovers find themselves for a short time. Agua fr\u00eda de mar, on the other hand, by Paz F\u00e1brega, seems to be very surreal. The winner of the Tiger Awards mysteriously entwines the lives of a 7-year-old runaway girl and a young middle-class woman on the beach of the Pacific coast of Costa Rica. Eine flexible Frau (The Drifter) is about unemployed Berlin architect Greta, 40, who is anything but flexible, but she is determined not to let things get her down. The German contribution from Tatjana Turanskyj is a statement on feminist positions as has not been seen for a long time. What will eventually make it into the cinema from this impressive range of women\u2019s film creativity is a different, less pleasing story. But whatever the case, there are many of them: women directors whose next works will be awaited with great anticipation. _Stefanie G\u00f6rtz","og_url":"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/","og_site_name":"Internationales Frauen Film Fest","twitter_card":"summary_large_image","twitter_site":"@frauenfilmfest","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"CollectionPage","@id":"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/","url":"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/","name":"International Feature Film Competition for Women Directors - Internationales Frauen Film Fest","isPartOf":{"@id":"https:\/\/frauenfilmfest.com\/#website"},"breadcrumb":{"@id":"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/#breadcrumb"},"inLanguage":"en-US"},{"@type":"BreadcrumbList","@id":"https:\/\/frauenfilmfest.com\/movie-category\/internationaler-spielfilmwettbewerb-fuer-regisseurinnen-2010\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/frauenfilmfest.com\/en\/"},{"@type":"ListItem","position":2,"name":"2010","item":"https:\/\/frauenfilmfest.com\/movie-category\/2010\/"},{"@type":"ListItem","position":3,"name":"Internationaler Spielfilmwettbewerb f\u00fcr Regisseurinnen"}]},{"@type":"WebSite","@id":"https:\/\/frauenfilmfest.com\/#website","url":"https:\/\/frauenfilmfest.com\/","name":"Internationales Frauen Film Fest","description":"","publisher":{"@id":"https:\/\/frauenfilmfest.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/frauenfilmfest.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/frauenfilmfest.com\/#organization","name":"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.","url":"https:\/\/frauenfilmfest.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/frauenfilmfest.com\/#\/schema\/logo\/image\/","url":"https:\/\/frauenfilmfest.com\/wp-content\/uploads\/2021\/03\/menu-logo.svg","contentUrl":"https:\/\/frauenfilmfest.com\/wp-content\/uploads\/2021\/03\/menu-logo.svg","width":214,"height":59,"caption":"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V."},"image":{"@id":"https:\/\/frauenfilmfest.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/IFFF.Dortmund.Koeln\/","https:\/\/x.com\/frauenfilmfest","https:\/\/www.instagram.com\/frauenfilmfestival\/"]}]}},"_links":{"self":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie_cat\/532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie_cat"}],"about":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/taxonomies\/movie_cat"}],"up":[{"embeddable":true,"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie_cat\/531"}],"wp:post_type":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie?movie_cat=532"},{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/event?movie_cat=532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}