{"id":510,"count":3,"description":"Cinematographer, camera technician, director of photography \u2013 three terms for the one person who uses her camera as a tool to transfer on to substrate material what takes place in motion or presents itself statically before the lens. The Dortmund | Cologne International Women\u2018s Film Festival has opted for an award aimed squarely at picture designers. For working with a camera and with light is not just a image recording routine but an active co-design process which demands interaction with the other jobs of set decor, costumes, make-up and location management. Even the actual decision as to specific film material, the use of filters or a special digital technique can substantially influence the final look of a film. Close-up size, image section, camera position and camera movement are all essential factors for the narrative discourse. It is in this way that, following consultation between the director of photograph and the film director, the moving pictures can take on the quality of a narrative instance their own right.\r\n\r\nWhether all that will fall into place here is assessed by the jury specially appointed to choose the winner of the Dortmund Award for Women Directors of Photography 2011, a prize that has now become a firm institution in the industry. For this sixth edition, numerous entries in the form of graduate pieces (from the first two years of work after her university degree) were received from next-generation female cinematographers. Of these submissions, 29 films were nominated. Remarkable this year is the fact that, apart from the seven short fiction films, the remaining 22 nominations consist of documentary films in both the short or long format. Plus which, the directors of photography often double-duty as the film director as well. The documentary film thus appears to be the genre best suited to deal with a topic or personal concern that allows the DoP the freedom to develop her own cinematic language.\r\n\r\nDirectors of photography and jury members Sophie Maintigneux, Daniela Knapp and Stephanie Hardt have finished their viewing and their discussions. They have decided that \u2026\r\n\r\nThe award for Best Camera goes in equal part (each 2,500\u20ac) to:\r\nEva Maschke for <strong>Frauenzimmer<\/strong> and\r\nHanne Klaas for <strong>Ole<\/strong>.\r\nMaria Goinda receives a special mention for <strong>Cartonera<\/strong>.","link":"https:\/\/frauenfilmfest.com\/en\/movie-category\/national-competition-for-women-directors-of-photography-en-2011\/","name":"National Competition for Women Directors of Photography","slug":"national-competition-for-women-directors-of-photography-en-2011","taxonomy":"movie_cat","parent":508,"meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>National Competition for Women Directors of Photography - Internationales Frauen Film Fest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frauenfilmfest.com\/movie-category\/nationaler-wettbewerb-fuer-bildgestalterinnen-2011\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"National Competition for Women Directors of Photography - Internationales Frauen Film Fest\" \/>\n<meta property=\"og:description\" content=\"Cinematographer, camera technician, director of photography \u2013 three terms for the one person who uses her camera as a tool to transfer on to substrate material what takes place in motion or presents itself statically before the lens. The Dortmund | Cologne International Women\u2018s Film Festival has opted for an award aimed squarely at picture designers. For working with a camera and with light is not just a image recording routine but an active co-design process which demands interaction with the other jobs of set decor, costumes, make-up and location management. Even the actual decision as to specific film material, the use of filters or a special digital technique can substantially influence the final look of a film. Close-up size, image section, camera position and camera movement are all essential factors for the narrative discourse. It is in this way that, following consultation between the director of photograph and the film director, the moving pictures can take on the quality of a narrative instance their own right. Whether all that will fall into place here is assessed by the jury specially appointed to choose the winner of the Dortmund Award for Women Directors of Photography 2011, a prize that has now become a firm institution in the industry. For this sixth edition, numerous entries in the form of graduate pieces (from the first two years of work after her university degree) were received from next-generation female cinematographers. Of these submissions, 29 films were nominated. Remarkable this year is the fact that, apart from the seven short fiction films, the remaining 22 nominations consist of documentary films in both the short or long format. Plus which, the directors of photography often double-duty as the film director as well. The documentary film thus appears to be the genre best suited to deal with a topic or personal concern that allows the DoP the freedom to develop her own cinematic language. Directors of photography and jury members Sophie Maintigneux, Daniela Knapp and Stephanie Hardt have finished their viewing and their discussions. They have decided that \u2026 The award for Best Camera goes in equal part (each 2,500\u20ac) to: Eva Maschke for Frauenzimmer and Hanne Klaas for Ole. Maria Goinda receives a special mention for Cartonera.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/frauenfilmfest.com\/movie-category\/nationaler-wettbewerb-fuer-bildgestalterinnen-2011\/\" \/>\n<meta property=\"og:site_name\" content=\"Internationales Frauen Film Fest\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@frauenfilmfest\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/nationaler-wettbewerb-fuer-bildgestalterinnen-2011\\\/\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/nationaler-wettbewerb-fuer-bildgestalterinnen-2011\\\/\",\"name\":\"National Competition for Women Directors of Photography - Internationales Frauen Film Fest\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/nationaler-wettbewerb-fuer-bildgestalterinnen-2011\\\/#breadcrumb\"},\"inLanguage\":\"en-US\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/nationaler-wettbewerb-fuer-bildgestalterinnen-2011\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/frauenfilmfest.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"2011\",\"item\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/2011\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Nationaler Wettbewerb f\u00fcr Bildgestalterinnen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#website\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/\",\"name\":\"Internationales Frauen Film Fest\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/frauenfilmfest.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#organization\",\"name\":\"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/menu-logo.svg\",\"contentUrl\":\"https:\\\/\\\/frauenfilmfest.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/menu-logo.svg\",\"width\":214,\"height\":59,\"caption\":\"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.\"},\"image\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/IFFF.Dortmund.Koeln\\\/\",\"https:\\\/\\\/x.com\\\/frauenfilmfest\",\"https:\\\/\\\/www.instagram.com\\\/frauenfilmfestival\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"National Competition for Women Directors of Photography - Internationales Frauen Film Fest","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/frauenfilmfest.com\/movie-category\/nationaler-wettbewerb-fuer-bildgestalterinnen-2011\/","og_locale":"en_US","og_type":"article","og_title":"National Competition for Women Directors of Photography - Internationales Frauen Film Fest","og_description":"Cinematographer, camera technician, director of photography \u2013 three terms for the one person who uses her camera as a tool to transfer on to substrate material what takes place in motion or presents itself statically before the lens. The Dortmund | Cologne International Women\u2018s Film Festival has opted for an award aimed squarely at picture designers. For working with a camera and with light is not just a image recording routine but an active co-design process which demands interaction with the other jobs of set decor, costumes, make-up and location management. Even the actual decision as to specific film material, the use of filters or a special digital technique can substantially influence the final look of a film. Close-up size, image section, camera position and camera movement are all essential factors for the narrative discourse. It is in this way that, following consultation between the director of photograph and the film director, the moving pictures can take on the quality of a narrative instance their own right. Whether all that will fall into place here is assessed by the jury specially appointed to choose the winner of the Dortmund Award for Women Directors of Photography 2011, a prize that has now become a firm institution in the industry. For this sixth edition, numerous entries in the form of graduate pieces (from the first two years of work after her university degree) were received from next-generation female cinematographers. Of these submissions, 29 films were nominated. Remarkable this year is the fact that, apart from the seven short fiction films, the remaining 22 nominations consist of documentary films in both the short or long format. Plus which, the directors of photography often double-duty as the film director as well. The documentary film thus appears to be the genre best suited to deal with a topic or personal concern that allows the DoP the freedom to develop her own cinematic language. Directors of photography and jury members Sophie Maintigneux, Daniela Knapp and Stephanie Hardt have finished their viewing and their discussions. They have decided that \u2026 The award for Best Camera goes in equal part (each 2,500\u20ac) to: Eva Maschke for Frauenzimmer and Hanne Klaas for Ole. 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