{"id":279,"count":15,"description":"THESE DAYS\r\nI\u2019VE BEEN OUT WALKING\r\nI DON\u2019T DO TOO MUCH TALKING THESE DAYS\r\nTHESE DAYS\r\nTHESE DAYS I SEEM TO THINK A LOT\r\nABOUT THE THINGS THAT I FORGOT TO DO\r\nAND ALL THE TIMES I HAD\r\nA CHANCE TO\r\nI\u2019VE STOPPED MY RAMBLING\r\nI DON\u2019T DO TOO MUCH GAMBLING THESE DAYS\r\nTHESE DAYS\r\nTHESE DAYS I SEEM TO THINK ABOUT\r\nHOW ALL THESE CHANGES CAME ABOUT MY WAYS\r\nAND I WONDER IF I\u2019D SEE ANOTHER\r\nHIGHWAY\r\nNICO, CHELSEA GIRLS, 1967, WRITTEN BY JACKSON BROWNE\r\n\r\nNothing is as constant as change! And turbulent times call for special films. Distinctive, original, different. Each film adopts a stance, has a point of view, heightens our perception of society. The biopic Nico<\/strong>, 1988 by Susanna Nicchiarelli and road movie documentary Parallel Planes<\/strong> by Nicole Wegner portray independent, strong-willed characters from the world of music, who stand their ground despite the most adverse of circumstances. Demonstrating profound respect for its protagonists\u2019 dignity and autonomy, outside<\/strong> by Tama Tobias-Macht and Johanna Sunder-Plassmann shows that a documentary film about homeless people is still a necessity. The directors immerse themselves in the world of people who live on the streets and create a very forceful reality. Quietly but never voyeuristically, they capture even the smallest detail \u2013 and suddenly everything has a meaning. Also dedicated to everyday life is Those Who Remain<\/strong>. Director Eliane Raheb\u2019s film succeeds in portraying an everyday life shaped by far-reaching political changes \u2013 beyond the sensationalist images that dominate the media. Despite all the progress made in the last century, slavery is still not a thing of the past. Bernadett-Tuza-Ritter\u2019s A Woman Captured<\/strong> is a portrait of Marish who works for a Budapest family who treat her like a serf. One day, Marish can\u2019t take it any longer and takes a momentous decision. The presence of the camera determines the course of events, and the meeting between the film-maker and protagonist changes both their lives. Film-making as an intervention becomes a balancing act for Lissette Orozco in El Pacto de Adriana<\/strong>. The film looks at the director\u2019s role as the protagonist\u2019s niece and at the conflicts that arise from this during shooting. Something long kept under lock and key comes to light, reflecting the fact that the country\u2019s violent past still permeates present-day Chile. Lisette gradually unravels the story, but the deeper she digs, the more unintentionally political the private becomes. Waldheim\u2019s Waltz<\/strong> by Ruth Beckermann also deals with a turning point in a national historical narrative and with its repercussions today, while Free Fall<\/strong> by Susanne Sch\u00fcle and Elena Lavina examines the consequences of political upheavals from the periphery. Using very different approaches, The New Children of Golzow<\/strong> by Simone Catharina Gaul and Poor People Relax Me<\/strong> by Clara Winter look at how cultures clash in today\u2019s globalised world and ask who benefits from mass migration. Once again, we see that shifts, developments and changes open up new perspectives, and unusual approaches introduce us to worlds that would otherwise remain hidden.\r\n_Nicole Rebmann","link":"https:\/\/frauenfilmfest.com\/en\/movie-category\/panorama-en-2018\/","name":"Panorama","slug":"panorama-en-2018","taxonomy":"movie_cat","parent":276,"meta":[],"acf":[],"yoast_head":"\nPanorama - Internationales Frauen Film Fest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Panorama - Internationales Frauen Film Fest\" \/>\n<meta property=\"og:description\" content=\"THESE DAYS I\u2019VE BEEN OUT WALKING I DON\u2019T DO TOO MUCH TALKING THESE DAYS THESE DAYS THESE DAYS I SEEM TO THINK A LOT ABOUT THE THINGS THAT I FORGOT TO DO AND ALL THE TIMES I HAD A CHANCE TO I\u2019VE STOPPED MY RAMBLING I DON\u2019T DO TOO MUCH GAMBLING THESE DAYS THESE DAYS THESE DAYS I SEEM TO THINK ABOUT HOW ALL THESE CHANGES CAME ABOUT MY WAYS AND I WONDER IF I\u2019D SEE ANOTHER HIGHWAY NICO, CHELSEA GIRLS, 1967, WRITTEN BY JACKSON BROWNE Nothing is as constant as change! And turbulent times call for special films. Distinctive, original, different. Each film adopts a stance, has a point of view, heightens our perception of society. The biopic Nico, 1988 by Susanna Nicchiarelli and road movie documentary Parallel Planes by Nicole Wegner portray independent, strong-willed characters from the world of music, who stand their ground despite the most adverse of circumstances. Demonstrating profound respect for its protagonists\u2019 dignity and autonomy, outside by Tama Tobias-Macht and Johanna Sunder-Plassmann shows that a documentary film about homeless people is still a necessity. The directors immerse themselves in the world of people who live on the streets and create a very forceful reality. Quietly but never voyeuristically, they capture even the smallest detail \u2013 and suddenly everything has a meaning. Also dedicated to everyday life is Those Who Remain. Director Eliane Raheb\u2019s film succeeds in portraying an everyday life shaped by far-reaching political changes \u2013 beyond the sensationalist images that dominate the media. Despite all the progress made in the last century, slavery is still not a thing of the past. Bernadett-Tuza-Ritter\u2019s A Woman Captured is a portrait of Marish who works for a Budapest family who treat her like a serf. One day, Marish can\u2019t take it any longer and takes a momentous decision. The presence of the camera determines the course of events, and the meeting between the film-maker and protagonist changes both their lives. Film-making as an intervention becomes a balancing act for Lissette Orozco in El Pacto de Adriana. The film looks at the director\u2019s role as the protagonist\u2019s niece and at the conflicts that arise from this during shooting. Something long kept under lock and key comes to light, reflecting the fact that the country\u2019s violent past still permeates present-day Chile. Lisette gradually unravels the story, but the deeper she digs, the more unintentionally political the private becomes. Waldheim\u2019s Waltz by Ruth Beckermann also deals with a turning point in a national historical narrative and with its repercussions today, while Free Fall by Susanne Sch\u00fcle and Elena Lavina examines the consequences of political upheavals from the periphery. Using very different approaches, The New Children of Golzow by Simone Catharina Gaul and Poor People Relax Me by Clara Winter look at how cultures clash in today\u2019s globalised world and ask who benefits from mass migration. Once again, we see that shifts, developments and changes open up new perspectives, and unusual approaches introduce us to worlds that would otherwise remain hidden. _Nicole Rebmann\" \/>\n<meta property=\"og:url\" content=\"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"Internationales Frauen Film Fest\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@frauenfilmfest\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/panorama-2018\\\/\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/panorama-2018\\\/\",\"name\":\"Panorama - Internationales Frauen Film Fest\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/panorama-2018\\\/#breadcrumb\"},\"inLanguage\":\"en-US\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/panorama-2018\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/frauenfilmfest.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"2018\",\"item\":\"https:\\\/\\\/frauenfilmfest.com\\\/movie-category\\\/2018\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Panorama\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#website\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/\",\"name\":\"Internationales Frauen Film Fest\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/frauenfilmfest.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#organization\",\"name\":\"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/frauenfilmfest.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/menu-logo.svg\",\"contentUrl\":\"https:\\\/\\\/frauenfilmfest.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/menu-logo.svg\",\"width\":214,\"height\":59,\"caption\":\"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.\"},\"image\":{\"@id\":\"https:\\\/\\\/frauenfilmfest.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/IFFF.Dortmund.Koeln\\\/\",\"https:\\\/\\\/x.com\\\/frauenfilmfest\",\"https:\\\/\\\/www.instagram.com\\\/frauenfilmfestival\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Panorama - Internationales Frauen Film Fest","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/","og_locale":"en_US","og_type":"article","og_title":"Panorama - Internationales Frauen Film Fest","og_description":"THESE DAYS I\u2019VE BEEN OUT WALKING I DON\u2019T DO TOO MUCH TALKING THESE DAYS THESE DAYS THESE DAYS I SEEM TO THINK A LOT ABOUT THE THINGS THAT I FORGOT TO DO AND ALL THE TIMES I HAD A CHANCE TO I\u2019VE STOPPED MY RAMBLING I DON\u2019T DO TOO MUCH GAMBLING THESE DAYS THESE DAYS THESE DAYS I SEEM TO THINK ABOUT HOW ALL THESE CHANGES CAME ABOUT MY WAYS AND I WONDER IF I\u2019D SEE ANOTHER HIGHWAY NICO, CHELSEA GIRLS, 1967, WRITTEN BY JACKSON BROWNE Nothing is as constant as change! And turbulent times call for special films. Distinctive, original, different. Each film adopts a stance, has a point of view, heightens our perception of society. The biopic Nico, 1988 by Susanna Nicchiarelli and road movie documentary Parallel Planes by Nicole Wegner portray independent, strong-willed characters from the world of music, who stand their ground despite the most adverse of circumstances. Demonstrating profound respect for its protagonists\u2019 dignity and autonomy, outside by Tama Tobias-Macht and Johanna Sunder-Plassmann shows that a documentary film about homeless people is still a necessity. The directors immerse themselves in the world of people who live on the streets and create a very forceful reality. Quietly but never voyeuristically, they capture even the smallest detail \u2013 and suddenly everything has a meaning. Also dedicated to everyday life is Those Who Remain. Director Eliane Raheb\u2019s film succeeds in portraying an everyday life shaped by far-reaching political changes \u2013 beyond the sensationalist images that dominate the media. Despite all the progress made in the last century, slavery is still not a thing of the past. Bernadett-Tuza-Ritter\u2019s A Woman Captured is a portrait of Marish who works for a Budapest family who treat her like a serf. One day, Marish can\u2019t take it any longer and takes a momentous decision. The presence of the camera determines the course of events, and the meeting between the film-maker and protagonist changes both their lives. Film-making as an intervention becomes a balancing act for Lissette Orozco in El Pacto de Adriana. The film looks at the director\u2019s role as the protagonist\u2019s niece and at the conflicts that arise from this during shooting. Something long kept under lock and key comes to light, reflecting the fact that the country\u2019s violent past still permeates present-day Chile. Lisette gradually unravels the story, but the deeper she digs, the more unintentionally political the private becomes. Waldheim\u2019s Waltz by Ruth Beckermann also deals with a turning point in a national historical narrative and with its repercussions today, while Free Fall by Susanne Sch\u00fcle and Elena Lavina examines the consequences of political upheavals from the periphery. Using very different approaches, The New Children of Golzow by Simone Catharina Gaul and Poor People Relax Me by Clara Winter look at how cultures clash in today\u2019s globalised world and ask who benefits from mass migration. Once again, we see that shifts, developments and changes open up new perspectives, and unusual approaches introduce us to worlds that would otherwise remain hidden. _Nicole Rebmann","og_url":"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/","og_site_name":"Internationales Frauen Film Fest","twitter_card":"summary_large_image","twitter_site":"@frauenfilmfest","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"CollectionPage","@id":"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/","url":"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/","name":"Panorama - Internationales Frauen Film Fest","isPartOf":{"@id":"https:\/\/frauenfilmfest.com\/#website"},"breadcrumb":{"@id":"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/#breadcrumb"},"inLanguage":"en-US"},{"@type":"BreadcrumbList","@id":"https:\/\/frauenfilmfest.com\/movie-category\/panorama-2018\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/frauenfilmfest.com\/en\/"},{"@type":"ListItem","position":2,"name":"2018","item":"https:\/\/frauenfilmfest.com\/movie-category\/2018\/"},{"@type":"ListItem","position":3,"name":"Panorama"}]},{"@type":"WebSite","@id":"https:\/\/frauenfilmfest.com\/#website","url":"https:\/\/frauenfilmfest.com\/","name":"Internationales Frauen Film Fest","description":"","publisher":{"@id":"https:\/\/frauenfilmfest.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/frauenfilmfest.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/frauenfilmfest.com\/#organization","name":"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V.","url":"https:\/\/frauenfilmfest.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/frauenfilmfest.com\/#\/schema\/logo\/image\/","url":"https:\/\/frauenfilmfest.com\/wp-content\/uploads\/2021\/03\/menu-logo.svg","contentUrl":"https:\/\/frauenfilmfest.com\/wp-content\/uploads\/2021\/03\/menu-logo.svg","width":214,"height":59,"caption":"Internationales Frauenfilmfestival Dortmund|K\u00f6ln e.V."},"image":{"@id":"https:\/\/frauenfilmfest.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/IFFF.Dortmund.Koeln\/","https:\/\/x.com\/frauenfilmfest","https:\/\/www.instagram.com\/frauenfilmfestival\/"]}]}},"_links":{"self":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie_cat\/279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie_cat"}],"about":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/taxonomies\/movie_cat"}],"up":[{"embeddable":true,"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie_cat\/276"}],"wp:post_type":[{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/movie?movie_cat=279"},{"href":"https:\/\/frauenfilmfest.com\/en\/wp-json\/wp\/v2\/event?movie_cat=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}