{"id":212,"count":2,"description":"In this archive programme we dip into the Festival\u2019s now 30-year-old-plus back catalogue and present ground-breaking films by women directors that are still highly topical today. By our curators combing through the archive, different themes and aspects possibly overlooked in the past can be spotlighted, thus connecting links in the history of emancipation and film where none were previously present (or visible). The long-term aim of this programme is to strengthen queer-feminist historical representation and memory culture.\r\n\r\nIn 2022, the film and media scientist Borjana Gakovi\u0107 joined the team and is presenting a program with two films by Ula St\u00f6ckl: <strong>Rede nur niemand vom Schicksal<\/strong> (Just don't talk about fate) and <strong>Das alte Lied <\/strong>(The Old Song).\r\n\r\nUla St\u00f6ckl was the first female film director from western Germany to go to Dresden immediately after the fall of the Berlin Wall to shoot a somewhat different version of the national anthem, the <em>Lied der Deutschen<\/em>. The complexity or even impossibility of reunification is at the core of her \u2018on-the-ground report\u2019 \u2013 deep, insurmountable rifts, in people\u2019s private lives as well as in the political sphere.\r\n\r\nThe doyen of New German Cinema has had a key influence on feminist film history since the 1960s. She has the knack of putting documentary elements centre stage while incorporating a fictional dimension, in order to make a stand against the unbearable conditions and circumstances as they really are.\r\n\r\n&nbsp;\r\n\r\nThe signature of the curators of this programme comes through in the films they select. In 2020, Berlin scholar Kat Gorska curated a selection of experimental films from the 70s and 80s. The 2021 programme features a group of students from Ruhr University in Bochum presenting the subject of Club culture.","link":"https:\/\/frauenfilmfest.com\/en\/movie-category\/ifff-revisited-en-2022\/","name":"IFFF revisited","slug":"ifff-revisited-en-2022","taxonomy":"movie_cat","parent":187,"meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>IFFF revisited - Internationales Frauen Film Fest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frauenfilmfest.com\/movie-category\/ifff-packt-aus-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IFFF revisited - Internationales Frauen Film Fest\" \/>\n<meta property=\"og:description\" content=\"In this archive programme we dip into the Festival\u2019s now 30-year-old-plus back catalogue and present ground-breaking films by women directors that are still highly topical today. By our curators combing through the archive, different themes and aspects possibly overlooked in the past can be spotlighted, thus connecting links in the history of emancipation and film where none were previously present (or visible). The long-term aim of this programme is to strengthen queer-feminist historical representation and memory culture. In 2022, the film and media scientist Borjana Gakovi\u0107 joined the team and is presenting a program with two films by Ula St\u00f6ckl: Rede nur niemand vom Schicksal (Just don&#8217;t talk about fate) and Das alte Lied (The Old Song). Ula St\u00f6ckl was the first female film director from western Germany to go to Dresden immediately after the fall of the Berlin Wall to shoot a somewhat different version of the national anthem, the Lied der Deutschen. The complexity or even impossibility of reunification is at the core of her \u2018on-the-ground report\u2019 \u2013 deep, insurmountable rifts, in people\u2019s private lives as well as in the political sphere. The doyen of New German Cinema has had a key influence on feminist film history since the 1960s. She has the knack of putting documentary elements centre stage while incorporating a fictional dimension, in order to make a stand against the unbearable conditions and circumstances as they really are. &nbsp; The signature of the curators of this programme comes through in the films they select. In 2020, Berlin scholar Kat Gorska curated a selection of experimental films from the 70s and 80s. 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