\u00bbWhen I was growing up in Texas in the late 1990s, I didn\u2019t know any openly homosexual people in my community. So for role models, I looked to films.\u00ab
\n\u2013 Caroline Berler<\/p>\n
This film\u2019s title encapsulates what it\u2019s all about. Using material from relevant iconic films, Dykes, Camera, Action!<\/strong> relates the story of lesbian cinema. Until the 1970s, film roles for lesbian women were almost entirely absent. During the second wave of the women\u2019s movement, feminist film-makers began to work on their own themes. The heteronormative visual idiom of mainstream cinema was rejected; instead, artists created new, experimental forms for the new motifs. Barbara Hammer was one of the pioneers of feminist lesbian avant-garde film when, in 1974, she explored lesbian identity and sexuality with her short film Dyketactics<\/strong>. By giving queer desire visibility in the media, she and her female collaborators opened up new possibilities of perception and scope for identification. In cooperation with LAG Lesben in NRW.<\/em><\/p>\n Film Series New Archives<\/p>\n","protected":false},"featured_media":17280,"template":"","movie_year":[23],"movie_genre":[85],"movie_cat":[262],"festival":[395],"class_list":["post-8823","movie","type-movie","status-publish","has-post-thumbnail","hentry","movie_year-23","movie_genre-documentary-en","movie_cat-focus-en-2019","festival-2019-en"],"acf":[],"yoast_head":"\n
\nCaroline Berler meets the relevant protagonists of the lesbian US film scene: Barbara Hammer, Su Friedrich, Rose Troche, Cheryl Dunye, Yoruba Richen, Desiree Akhavan, Vicky Du, Ruby Rich, Jenni Olson, and others relate how they discovered and expressed queer identity in films. Berler\u2019s study of the select few of \u2013 mostly unfortunate \u2013 lesbian characters in mainstream cinema reveals even more clearly the tremendous self-empowerment of these film women. (BS)<\/p>\n