\u00bbAsked about the openness and emotional power of the interviews, one of the participants said: \u203aWe\u2019ve been waiting all these years for someone to come and ask us these questions.\u2039\u00ab
\nAmber Collective<\/p>\n
1987. Amber Films, an artist collective from Newcastle, is the first and only film team from the UK to be invited to the GDR. They meet a brigade of women crane drivers from the Warnowwerft shipyard and members of the Warnem\u00fcnde fishing co-operative. How do people live under socialism? What does their everyday life look like? What do they wish for the future? Big Brother is watching: A spectre of authority is lurking in the background of the interviews, ensuring that the cinematic flirtation with Western countries does not get out of hand.
\nTwo years later, the GDR is history, as are most of the workplaces of that period. After 25 years, the film team returns and meets the people they portrayed back then. Together they reflect and take stock, talk about the enormous changes and how they coped with them. They look at film clips and photos from 1987 and also recall the self-censorship during the first shoot. \u00bbAn English camera crew? What do they want to hear? Who’s going to see the film?\u00ab<\/p>\n
The view from outside and the re-evaluation aspect are strong points of the film, but also the fact that its interest goes beyond just the people, also enquiring into the fate of the two identity-forming businesses, which were closed or sold off in capitalist Wild-West style after reunification.<\/p>\n
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