{"id":46733,"date":"2026-03-30T11:39:25","date_gmt":"2026-03-30T09:39:25","guid":{"rendered":"https:\/\/frauenfilmfest.com\/?post_type=movie&#038;p=46733"},"modified":"2026-04-09T11:59:28","modified_gmt":"2026-04-09T09:59:28","slug":"sirens-call","status":"publish","type":"movie","link":"https:\/\/frauenfilmfest.com\/en\/movie\/sirens-call\/","title":{"rendered":"Sirens Call"},"content":{"rendered":"<p>A film women can enter like clear water: at its centre is Gina R\u00f8nning, a psychologist from Portland, Oregon, whose \u00bbmersona\u00ab \u2013 Una the Mermaid \u2013 guides, or rather swims through the film. Una searches for kindred spirits and finds them in the genuinely thriving merfolk subculture. The filmmakers stage Una\u2019s story within the architecture of American consumer spaces \u2013 malls, theme parks, a water theatre in Florida \u2013 spaces whose \u00bbuncanny\u00ab quality Jean Baudrillard famously theorised in his concept of the simulacrum: what is real, what is illusion? From this, the film draws a further question: what is documentary, what is fiction? The combination of grainy 16 mm film and shimmering scale costume produces an extraordinary viewing experience, one that seems to unfold in a metaphysical world both narratively and visually.<br \/>\nSince antiquity, the attributes of the mermaid have expressed what Klaus Theweleit calls the \u00bbfear of bodily dissolution\u00ab: water, voice, hybrid bodies. The mermaid embodies the alien \u2013 and therefore carries danger. In Homer, Odysseus narrowly escapes the fatal song of the sirens; a myth that lives on to this day in the Rhineland\u2019s Loreley. The filmmakers have succeeded in appropriating and reversing this patriarchal-tragic narrative of the mermaid, turning it into an expression of the alienation endemic to today\u2019s world. Transformed from a deterrent symbol of death, the mermaid becomes a collective emblem for all those who seek community within the isolating structures of capitalist society.<\/p>\n<p><strong>Guests: Miri Ian Gossing, Lina Sieckmann, Annie Sprinkle and Beth Stephens<\/strong><\/p>\n<p>In cooperation with <em>dfi &#8211; Dokumentarfilminitiative im Filmb\u00fcro NW<\/em><\/p>\n","protected":false},"featured_media":47052,"template":"","movie_year":[806],"movie_genre":[85],"movie_cat":[883,881],"festival":[886],"class_list":["post-46733","movie","type-movie","status-publish","has-post-thumbnail","hentry","movie_year-806","movie_genre-documentary-en","movie_cat-specials-en-2026","movie_cat-audience-award-en-2026","festival-886"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sirens Call - Internationales Frauen Film Fest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frauenfilmfest.com\/en\/movie\/sirens-call\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sirens Call - 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