In a small town in North Wales, Helen lives together with her husband, his new partner, their child and her mother-in-law Gwen. She looks after Gwen and works in the chicken factory, Chuck Chuck Baby. Her life revolves around the factory and their terraced house with its red bricks and carefully fenced-in garden, just like all its neighbours. The story begins as a fairy tale: along with the fluff of a dandelion, viewers are blown into Helen\u2019s room and the daily routines of working-class life. The factory is not only a place to earn money, but also the focal point for friendships and community. After leaving the town years ago, Joanna comes back to clear out and sell her father\u2019s house after his death. For her, this is a place of cruel memories. But it\u2019s also the place that reminds her of her adolescent love, Helen. Janis Pugh has created a musical that pays homage to the workers of North Wales through its loving portrayals of the key figures and their solidarity with each other. Fantasy musical numbers are arranged around the lesbian love story, which seems to be a coming-of-age story beyond the protagonists\u2019 coming of age. The film clearly and consistently shows their experience of misogynist violence, but the protagonists are given opportunities to escape. This is not restricted to the lesbian love story. Neither of the protagonists are isolated or disconnected \u2013 they both belong to a collective.<\/p>\n