{"id":19360,"date":"2022-06-27T14:44:34","date_gmt":"2022-06-27T12:44:34","guid":{"rendered":"https:\/\/frauenfilmfest.com\/movie\/suburbia-rebellen-der-vorstadt\/"},"modified":"2022-06-29T12:01:00","modified_gmt":"2022-06-29T10:01:00","slug":"suburbia-rebellen-der-vorstadt","status":"publish","type":"movie","link":"https:\/\/frauenfilmfest.com\/en\/movie\/suburbia-rebellen-der-vorstadt\/","title":{"rendered":"Suburbia"},"content":{"rendered":"<p>\u00bbWhen I did Suburbia, none of those kids were actors. I felt like it was much easier to turn punk rock kids into actors than it was to turn actors into punk rockers. I always felt it didn\u2019t feel right when actors did it, it felt phony. I think I was right in using those kids in my movies, they were reality and people sort of gravitate towards reality. Casting is the most important part of a movie \u2013 besides the script.\u00ab<br \/>\n\u2013 Penelope Spheeris<\/p>\n<p>It\u2019s Los Angeles in the 1980s and Evan and his kid brother Ethan hang out with a group of punks. Like the brothers, they have fled their miserable home circumstances. They have brushed with the law; they call themselves \u00bbThe Rejected\u00ab. Together, they inhabit a derelict barricaded building where they form a tight ersatz family somehow making do with tapped electricity and stolen food. But when the punks start to encroach on the suburbia of the middle classes, this comes up against hefty resistance from a community organisation that goes under the name of \u00bbCitizens against Criminality\u00ab.<\/p>\n<p>Three years after making her ground-breaking documentary film about the punk scene in Los Angeles <strong>The Decline of Western Civilisation<\/strong> (1980), Penelope Spheeris used <strong>Suburbia<\/strong> to take the topic further. It\u2019s a hard-hitting snapshot, as it were, where sympathies clearly lie with the punks. The young people are played mostly by street kids and musicans including \u00bbFlea\u00ab, the<em> Red Hot Chili Peppers<\/em>\u2019 bass player. Plus, the nascent punk scene found in producer Roger Corman the perfect kindred spirit: his cheap and dirty production and DIY aesthetics suit the punk movement down to the ground.<\/p>\n<p>Film programme Exploitation<\/p>\n","protected":false},"featured_media":19357,"template":"","movie_year":[308],"movie_genre":[80],"movie_cat":[491],"festival":[607],"class_list":["post-19360","movie","type-movie","status-publish","has-post-thumbnail","hentry","movie_year-308","movie_genre-feature-film-en","movie_cat-focus-en-2013","festival-2013-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Suburbia - Internationales Frauen Film Fest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frauenfilmfest.com\/en\/movie\/suburbia-rebellen-der-vorstadt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Suburbia - Internationales Frauen Film Fest\" \/>\n<meta property=\"og:description\" content=\"\u00bbWhen I did Suburbia, none of those kids were actors. 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