\u00bbWhy are you filming?\u00ab Jin asks her sister Qiong, who\u2019s holding the camera. \u00bbTo know what you went through as a kid.\u00ab Qiong had grown up with their biological parents in the city, while Jin had been abandoned, and was then brought up by her uncle in the country. Qiong tries to bridge the gap between the family members, but her efforts are frequently met with derogatory comments or silent tears.<\/p>\n
China\u2019s previous one-child policy meant that Jin was one of the countless newborn baby girls aborted or abandoned by their parents in the hope of still having a son. Jin\u2019s mother narrowly escaped forced sterilisation, and suffered several abortions in addition to giving birth to her four children. Her daughters experience the after-effects of this traumatic time very differently. Elder sister Li smiles when defending her husband \u2013 who threatens to commit adultery if their second child doesn\u2019t turn out to be a son. Jin though battles with ambivalent feelings, and the rejection she suffered at the hands of her parents complicates her relationship with her own baby too. The notion of violated female bodies permeates the film and seems to be transmitted from one generation to the next. \u00bbCan\u2019t we change this?\u00ab asks Qiong. And with this, her debut film, she is possibly starting to do just that. Through an open style of questions and counter-questions, restraint and positioning, this intimate three-hour-long portrait of a fissured family unfolds, tackling the big political traumas in its microcosmic setting.<\/p>\n