{"id":43332,"date":"2025-10-29T10:39:40","date_gmt":"2025-10-29T09:39:40","guid":{"rendered":"https:\/\/frauenfilmfest.com\/event\/art-on-the-move-regretting-motherhood\/"},"modified":"2025-11-05T17:57:18","modified_gmt":"2025-11-05T16:57:18","slug":"art-on-the-move-regretting-motherhood","status":"publish","type":"event","link":"https:\/\/frauenfilmfest.com\/en\/event\/art-on-the-move-regretting-motherhood\/","title":{"rendered":"Art on the MOve: Regretting Motherhood?"},"content":{"rendered":"

\u00bbThere are good artists that have children. They are called men\u00ab<\/em>.
\nThis famous quote by British artist Tracey Emin inspired many female artists to prove the opposite. A short film programme dealing with the (detours) of combining motherhood and artistic creation.<\/p>\n

The programme begins with a short film by one of Germany’s first female filmmakers, Helke Sander, who already devoted herself to the theme of motherhood in the 1960s. Eva K\u00f6nnemann’s That’s All From Me<\/strong> takes us further into a cross-generational conversation about motherhood in art. Here, a correspondence between a young filmmaker and an older writer forms the starting point for a new beginning in the artistic creative process after\/with the first child. Fragment 1 was written by Writing with CARE\/RAGE<\/em>, a now defunct collective of writers with young children. What lies behind the crux of writing as a mother, the writing mother? Sylvia Plath devoted herself extensively to this topic. Recent feature films such as Salve Maria<\/strong> (2024) and The Lost Daughter<\/strong> (2021) have brought this dilemma to the big screen. Numerous publications have been released on this topic recently. How does the current generation of artists deal with motherhood? What do we do with tradwives? Regretting Motherhood? asks a question that we want to discuss in the following conversation.<\/p>\n

Film programme:<\/strong>
\nHelke Sander, Aus Berichten der Wach- und Patrouillendienste Nr 1., 5-8<\/strong>, 1984, 11\u2018
\nEva K\u00f6nnemann, That\u2019s All from Me<\/strong>, 2024, 23\u2019
\nElla Zwietnig in collaboration with Writing with CARE\/RAGE<\/em>, Fragment 1<\/strong>, 2021, 16\u2019<\/p>\n

The film installation Ada vs Abramovi\u0107<\/em> (2018) by Hannah Cooke is part of this event and will be visited together in the exhibition.<\/p>\n

Guests: Hannah Cooke in conversation with Nicole Grothe (Head of the MO Collection) and Maxa Zoller (Artistic Director IFFF Dortmund+K\u00f6ln)<\/p>\n

Free admission.<\/strong><\/p>\n

During the event, childcare will be available in the KunstAktionsRaum from 7 pm to 9 pm.<\/p>\n

An event by Art on the MOve<\/em>, a cooperation of Museum Ostwall<\/em> and Internationales Frauen Film Fest Dortmund+K\u00f6ln as part of Kleiner Freitag<\/em>.<\/p>\n

More information on Art on the MOve.<\/a><\/p>\n","protected":false},"featured_media":43299,"template":"","movie_cat":[],"event_cat":[134],"event_type":[128],"festival":[],"class_list":["post-43332","event","type-event","status-publish","has-post-thumbnail","hentry","event_cat-art-on-the-move","event_type-film-en"],"acf":[],"yoast_head":"\nArt on the MOve: Regretting Motherhood? - Internationales Frauen Film Fest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/frauenfilmfest.com\/en\/event\/art-on-the-move-regretting-motherhood\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art on the MOve: Regretting Motherhood? - Internationales Frauen Film Fest\" \/>\n<meta property=\"og:description\" content=\"\u00bbThere are good artists that have children. 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