{"id":31067,"date":"2024-03-23T09:42:55","date_gmt":"2024-03-23T08:42:55","guid":{"rendered":"https:\/\/frauenfilmfest.com\/?post_type=event&#038;p=31067"},"modified":"2024-03-23T09:42:55","modified_gmt":"2024-03-23T08:42:55","slug":"performance-aller-retour-et-aller-dialogue-with-a-film-karolin-meunier","status":"publish","type":"event","link":"https:\/\/frauenfilmfest.com\/en\/event\/performance-aller-retour-et-aller-dialogue-with-a-film-karolin-meunier\/","title":{"rendered":"Performance: Aller-retour et aller. Dialogue with a Film &#8211; Karolin Meunier"},"content":{"rendered":"<p>Standing in front of a cinema screen, Karolin Meunier places herself between the images and words to dig into the motley life of American actress, scriptwriter, and filmmaker Barbara Loden. The performance <em>Aller-retour et aller<\/em> is built upon the power of reactivating one\u2019s life through that of someone else\u2019s \u2013 something quite different from merely mimicking, imitating, or stealing from another person\u2019s identity. When Loden claims \u00bbI am Wanda\u00ab, she is already disappearing into, or rather reemerging from two different characters: the protagonist of her film <strong>Wanda<\/strong> (1970) and Alma Malone, a woman arrested in 1960 in connection with a failed bank robbery, who inspired Loden\u2019s film. The way for Meunier to retrace Loden\u2019s desire to finally become herself by embodying Wanda is to engage in dialogue with other women whose stories have intentionally or just by chance encountered that of Loden\/Wanda. As the French writer Nathalie Le\u0301ger discovered during her long journey in the tracks of the filmmaker, Loden slips away every time we think to have reached a conclusion about her life; she\/Wanda wanders and takes the shape of someone else\u2019s unsettled desires. Weaving a net of intersected, yet somewhat extraneous-to-each-other stories, therefore, proves to be a generative research method by which to grasp Loden\u2019s movements and metamorphosis: Meunier\u2019s writing; her conversation with a friend; the photographs her mother took when she travelled to Pennsylvania in 1960\u2026 As Le\u0301ger observes in her <strong>Suppl\u00e9ment \u00e0 la vie de Barbara Loden<\/strong> (2012), seemingly unfamiliar spaces are the very contexts in which we can perceive with clarity the not-yet-emerged parts of our existence. (Clio Nicastro, \u00bbThe Possibility of a Return\u00ab, in: Karolin Meunier, <em>Aller-retour et aller<\/em>, HaFI 017, Berlin 2023)<\/p>\n","protected":false},"featured_media":31128,"template":"","movie_cat":[752],"event_cat":[],"event_type":[],"festival":[727],"class_list":["post-31067","event","type-event","status-publish","has-post-thumbnail","hentry","movie_cat-specials-en-2024","festival-2024-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Performance: Aller-retour et aller. 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