\u00bbIf there\u2018s any one person in the world who\u2018s really influenced my work, then it\u2018s Chris Marker. For once, many years ago, when I came out of a cinema after seeing Sans Soleil, I knew that I too wanted to compose differently. \u00ab
\n\u2013Ulrike Haage<\/p>\n
It only needs a few notes to get the idea behind Ulrike Haage\u2018s album in:finitum<\/em> (2011). The notes set themselves apart from other sounds, reform and become autonomous in their repetition. In\u00a0 her compositions, then, she systematically gives lots of space to the individual note \u2013 it its clearest pristine form. Indeed, on her first two solo albums, S\u00c8lavy<\/em> (2004) und Wei\u00dfes Land<\/em> (2006), she gives herself up to the search of the perfect sound \u2013 supported there by electronics, drums and cellos. At the concert in Dortmund, Ms Haage will be accompanied by Eric Schaefer on drums and she will be presenting some of her compositions for the documentary film Zwiebelfische \u2013 Jimmy Ernst, Gl\u00fcckstadt New York<\/strong>. They were issued in November 2010 as part of a series entitled Edition Filmmusik \u2013 Komponiert in Deutschland<\/em>. The series is co-published by the Dortmund | Cologne International Film Festival and film-dienst<\/em>, the German film magazine. Ulrike Haage, a unique performer now resident in Berlin, has enjoyed close ties with the Women\u2018s Film Festival for some years now. She has in the past given a live performance of her radio play Ghosts of the Civil Dead<\/em> and conducted a workshop on the topic of film music.<\/p>\n","protected":false},"featured_media":22451,"template":"","movie_cat":[516],"event_cat":[],"event_type":[132],"festival":[665],"class_list":["post-22272","event","type-event","status-publish","has-post-thumbnail","hentry","movie_cat-specials-en-2011","event_type-concert-en","festival-2011-en"],"acf":[],"yoast_head":"\n