Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Guest: Karin de Miguel Wessendorf
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Guest: Karin de Miguel Wessendorf
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Guest: Karin de Miguel Wessendorf
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
Hazal is 17 and lives in Berlin. Her greatest wish is to have a life, a real future! Despite writing countless applications, she can’t find an apprenticeship and isn’t even invited for an interview. Instead, she’s stuck in a pointless job centre training scheme. On her 18th birthday, Hazal...
Set in a former prison in Buenos Aries, this film tells the story of a group of cis and trans people who were all imprisoned in women’s jails in Argentina. The film is based on what was seen and experienced by the protagonists, who enact and fictionalise aspects of...
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Mexico is a country firmly in the grip of patriarchal violence. With around ten femicides every day, women in this Central American country face massive danger, while the number of people missing is nearly one hundred thousand. A macho culture, corruption and male power politics also pervade the work...
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
Hazal is 17 and lives in Berlin. Her greatest wish is to have a life, a real future! Despite writing countless applications, she can’t find an apprenticeship and isn’t even invited for an interview. Instead, she’s stuck in a pointless job centre training scheme. On her 18th birthday, Hazal...
»Pregnancy is traditionally a world in pastel. Softness, lightness, inherent kindness. And yet here I was experiencing an unexpected vividness and intensity. Inexplicable sadness. Food revulsion. Neon blissful ecstasy. Annoyance. Rage! It was nothing like what I had ever seen portrayed on screen,« says director and main protagonist Alice...
In a stunning collage of hundreds of borrowed film clips, Soda Jerk dissect American society and politics between 2016 and 2021. Taking the form of a suburban musical, the years of Donald Trump’s presidency become a psychotropic horror spectacle. Conspiracy theories take over, hotdogs discuss the clash of civilisations,...
Seldom does a feature film explore the profound significance of breast milk production, a symbol of nurturing life. However, when this process is rendered redundant by a stillbirth, a more contemplative narrative may emerge – one that gently reflects on the concepts of »giving life« and loss, the journey...
Mexico is a country firmly in the grip of patriarchal violence. With around ten femicides every day, women in this Central American country face massive danger, while the number of people missing is nearly one hundred thousand. A macho culture, corruption and male power politics also pervade the work...
Young refugees curate a festival programme:
What is a film if it dispenses with dialogue? How can different forms of cinematic expression tell a story and propel the narrative without relying on language? In our »Do You Speak Film?« programme, we showcase short films that are thought-provoking in very different...
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
NRW Film Culture Network theme day
What does cinema mean today? What is cinema today? Cinema is a social setting offering an aesthetic, collective experience. But what does cinema work actually involve? Keeping a balance between cinema releases and film series, event formats and weekly schedules, target group work and...
A »scrapper« may embody improvisational determination and a fighting spirit in the face of adversity. Other meanings refer to dealing with bits of scrap, collecting unwanted items, or, like scrapbooking, a form of memory bricolage – preserving, archiving. 12-year-old Georgie exemplifies scrappiness to the core as she maneuvers through...
»Why haven’t I seen this before?« In the first scene of Copa 71, American international footballer Brandi Chastain stares at her tablet in amazement. She is watching footage of the first ever international women’s football tournament in Mexico City in 1971, Copa 71. Why is it that one of...
»Do you think we could have changed something if everyone had stayed?«, asks one of the film’s characters. A direct answer to this question can never be found, but it is one that reverberates throughout the film, as well as through the conscience of the Russians who have left...
Fresh out of prison, Léa returns to the Sol Nascente favela and joins a formidable gang of women led by her half-sister Chitara. During Léa’s absence, the women have built up a lucrative business as gasolinheiras, illegally extracting oil from an underground pipeline and refining it themselves as petrol....
Twelve-year-old Zaffan leads a carefree existence, despite the constraints imposed on her by her strict teachers and parents. She likes to make funny TikTok clips, to fight and make up with her girlfriends. They swear not to keep secrets from each other and boldly defy customs and religious norms...
In a small town in North Wales, Helen lives together with her husband, his new partner, their child and her mother-in-law Gwen. She looks after Gwen and works in the chicken factory, Chuck Chuck Baby. Her life revolves around the factory and their terraced house with its red bricks...
Roughly half of Mongolia’s 3.2 million people reside in the capital Ulaanbaatar, a sprawling maze of roads and jagged skyscrapers. A quarter of the populace are nomadic, dwelling on the vast steppe in traditional yurts, many still adhering to the ancient shamanistic, animistic religion of Tengrism. Echoing its title,...
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
In cooperation with DOXS RUHR
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Guest: Karin de Miguel Wessendorf
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Guest: Karin de Miguel Wessendorf
Contact person for advice on individual programmes and for booking screenings for daycare groups and school classes is Jule Murmann: kinderundjugend@frauenfilmfest.com
Guest: Karin de Miguel Wessendorf
A practical self-defence course against zombies and slashers, in which the boundary between screen and audience is blurred. Out-of-control monsters going berserk with rage and calculated anger in slasher films. Using film clips from classic horror films, participants under the guidance of Susie Kahlich will learn which moves to...
Young refugees curate a festival programme:
What is a film if it dispenses with dialogue? How can different forms of cinematic expression tell a story and propel the narrative without relying on language? In our »Do You Speak Film?« programme, we showcase short films that are thought-provoking in very different...
Statement of the Jury (Yoliswa von Dallwitz, Antonia Kilian, Agnesh Pakozdi):
Greta Isabella Conte’s camera work for the film Die feige Schönheit impressively demonstrates her ability to create visually stunning images with great artistry and the bold use of special framing techniques. This outstanding work is evidence of excellent collaboration...
The IFFF Dortmund+Cologne welcomes the new Cologne-based group Palestinians and Jews for Peace to the festival. The feminist group, which was founded by friends Kristina Bublevskaya and Zeynep Karaosman shortly after 7 October, consists of Palestinian, Jewish and other solidarity and emancipatory friends who are committed to a differentiated...
The two protagonists in this film met and fell in love many years previously during a retreat. They both came as nurses from Korea to Germany, and today they live together in Berlin. The director Jieun BANPARK followed their daily lives for a while, getting to know parts of...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
These rarities from the early years of cinema are revenge films of a truly special kind. They utilise the sensational new capabilities of cinema to depict supernatural phenomena and evil forces. They demonstrate the liberating potential of raw female rage. Rage and horror films avant la lettre.
Gunda Gottschalk
Violin and...
Twelve-year-old Zaffan leads a carefree existence, despite the constraints imposed on her by her strict teachers and parents. She likes to make funny TikTok clips, to fight and make up with her girlfriends. They swear not to keep secrets from each other and boldly defy customs and religious norms...
A group of eleven young people have been picked to take part in a special ski course, but their excitement soon disappears. Not only is their isolated chalet cut off from the outside world by an avalanche, it also turns out that something is seriously wrong with the three...
Introducing the INTO THE WILD mentorship programme
INTO THE WILD is a mentorship programme aimed at empowering young female film-makers at the start of their career. It brings together emerging talent with decision-makers and experienced female professionals from the industry.
We look forward to welcoming organisers, alumni and mentors of INTO...
Introducing the INTO THE WILD mentorship programme
INTO THE WILD is a mentorship programme aimed at empowering young female film-makers at the start of their career. It brings together emerging talent with decision-makers and experienced female professionals from the industry.
We look forward to welcoming organisers, alumni and mentors of INTO...
A mother and daughter look at photographs of the past together. A complex family history is viewed in the Paris flat and they try to put it into some form of overview: women from 4 generations, their lives spanning Palestine and France.
Lina Soualem and her mother, the actress Hiam...
Christmas time is family time. The children arrive. Doors open. Doors close. For Ella and Lasse’s daughters, sons-in-law and grandchildren, the annual family gathering at their grandparents’ house is an obligatory event and a well-established ritual. Outside, they are surrounded by a winter wonderland. Inside, disinterest, grievances and simmering...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
We cordially invite our guests to immerse themselves in a night of furious women: anarchic, musical, rebellious and full of humour.
Film-makers and protagonists address the different aspects of anger, portraying it as a feeling of liberation that turns into lustful, energetic strategies of self-empowerment. Women emerge as plausible perpetrators...
A spontaneous performance brimming with confrontational energy and beauty in the streets of Berlin. In the middle of the night, a broken heart finds music in the arms of beautiful strangers. In memory of artist and musician Aérea Negrot, who passed away much too young in 2023.
In a village in the Atlas Mountains, newly-wed and heavily pregnant Itto lives in the home of her wealthy in-laws. Itto herself is a member of the Amazigh, or »free people«, and comes from a working-class background. Her husband Amine is the son of a caïd, a local leader....
Mimosa e. V. is a feminist film, art and music collective from the independent cultural scene in Cologne, consisting of 8 members. They mainly organise film evenings outside the cinema, which are thematically integrated and framed by readings, performances and DJ sets. In doing so, they cooperate with cultural...
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
»Why haven’t I seen this before?« In the first scene of Copa 71, American international footballer Brandi Chastain stares at her tablet in amazement. She is watching footage of the first ever international women’s football tournament in Mexico City in 1971, Copa 71. Why is it that one of...
A discussion with Nancy Mac Granaky-Quaye, Sara Neidorf, Jennifer Reeder and Festival guests
Expressing anger is a bold and threatening act of defiance and rebellion. Anger is loaded with information and energy, said Audre Lorde in her 1981 speech »The Uses of Anger« Her fear of anger taught her nothing,...
One night, Marina’s face suddenly changed. Otherwise, she has the same body, the same life. »I don’t know what to call you now with this face« says her grandmother. She replies: »You can call me Marina.«
In her everyday life, and in her relationships with her family and partner, Marina...
It’s the rainy season and the new school year is about to begin. From dawn ’til dusk, Mambar Pierette sews school uniforms and exquisite dresses for special occasions in her tiny shop in a slum of Douala (Cameroon). Mambar is not just a seamstress, she is also a trusted...
Standing in front of a cinema screen, Karolin Meunier places herself between the images and words to dig into the motley life of American actress, scriptwriter, and filmmaker Barbara Loden. The performance Aller-retour et aller is built upon the power of reactivating one’s life through that of someone else’s...
Pictures of Apolonia – they’re everywhere: from videotapes of her birth to oil-painted self-portraits. Rarely has it been so hard to elude a main character: in her eyes is the lightness of youth, the artist’s willingness to take risks. After growing up in her parents’ theatre in Paris, Apolonia...
Hazal is 17 and lives in Berlin. Her greatest wish is to have a life, a real future! Despite writing countless applications, she can’t find an apprenticeship and isn’t even invited for an interview. Instead, she’s stuck in a pointless job centre training scheme. On her 18th birthday, Hazal...
Izzy lives with her mother in an isolated location in the mountains. The 16-year-old spends most of her time roaming the woods on her own or playing with her mother in their super-cool metal band H6LLB6ND6R. Izzy dreams of performing live, but she knows this will never happen –...
In a small town in North Wales, Helen lives together with her husband, his new partner, their child and her mother-in-law Gwen. She looks after Gwen and works in the chicken factory, Chuck Chuck Baby. Her life revolves around the factory and their terraced house with its red bricks...
Christmas time is family time. The children arrive. Doors open. Doors close. For Ella and Lasse’s daughters, sons-in-law and grandchildren, the annual family gathering at their grandparents’ house is an obligatory event and a well-established ritual. Outside, they are surrounded by a winter wonderland. Inside, disinterest, grievances and simmering...
Jonquil Baptiste (known as Jonny) makes a living from burglaries and petty crimes. Her single father suffers from a strange illness and neglects himself and his daughter, so Jonny is taken in by her eccentric aunt Hildie. On her 18th birthday, the ice-cold matriarch introduces Jonny to the supernatural...
At the start of the 20th century, when cinema was emerging, Korea was under Japanese occupation – a violent colonisation that lasted for forty years. Only very few films from this period have survived. In her debut, Geonhee Kim takes this as a starting point to search for images...
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
This year, Formfragen is showing a multi-channel video installation at Filmhaus Köln.
Öffnungszeiten:
Di 14-17 pm
Mi 12-19 pm
Do 12-19 pm
Fr 10 am - 19 pm
Sa 10 am - 19 pm
So 10 am - 16 pm
An artist talk with Nastja Säde Rönkkö will take place on Sunday from 4pm.
Home movies and videos are a phenomenon from a time gone by. But are they still around somewhere today, now that digital platforms offer a space and different formats for people to produce their own visual and audio material? Film scholar Dr Dagmar Brunow and Natascha Frankenberg (curator of...
Older people hold their hands in front of their eyes and visualise their loved ones. They try to remember them in detail – with no images to help them, they focus on their other senses and reveal the past: What did he smell like? How did her skin feel...
We immerse ourselves in the images of Birgit Hein – and in the world of one of the most important film artists of the post-war period. The artistic career of this experimental film-maker, who grew up in Duisburg and died in 2023, began in Cologne, the city whose subculture...
We immerse ourselves in the images of Birgit Hein – and in the world of one of the most important film artists of the post-war period. The artistic career of this experimental film-maker, who grew up in Duisburg and died in 2023, began in Cologne, the city whose subculture...
We immerse ourselves in the images of Birgit Hein – and in the world of one of the most important film artists of the post-war period. The artistic career of this experimental film-maker, who grew up in Duisburg and died in 2023, began in Cologne, the city whose subculture...
We immerse ourselves in the images of Birgit Hein – and in the world of one of the most important film artists of the post-war period. The artistic career of this experimental film-maker, who grew up in Duisburg and died in 2023, began in Cologne, the city whose subculture...
»I’d like to tell you about an odd thing that happened.« This is the opening line of Camping du lac, as narrated by the main character Éléonore Saintagnan, who is played by the director herself. This ecological parable is about the pleasures of storytelling, about capitalist greed and our...
»Workin’ 9 to 5, what a way to make a livin’ | Barely getting’ by, it’s all takin’ and no givin’ | They just use your mind | And you never get the credit | It’s enough to drive you crazy if you let it.« Dolly Parton’s anthem from...
Older people hold their hands in front of their eyes and visualise their loved ones. They try to remember them in detail – with no images to help them, they focus on their other senses and reveal the past: What did he smell like? How did her skin feel...
Statement of the Jury (Yoliswa von Dallwitz, Antonia Kilian, Agnesh Pakozdi):
Jana Bauch’s film reveals her exceptional talent as a director and cinematographer. was brennt documents the occupation and forced removal of the occupants of Lützerath, a hamlet adjoining the Garzweiler II open-cast lignite mine, an event that has become...
The environment in the three films is shattered, dismantled. Landscapes pass by and with them all memory of their existence. In one instance, it is the present that starts to falter under inequality, at another, all orientation is lost in the future, and at another, the place from the...
The environment in the three films is shattered, dismantled. Landscapes pass by and with them all memory of their existence. In one instance, it is the present that starts to falter under inequality, at another, all orientation is lost in the future, and at another, the place from the...
The environment in the three films is shattered, dismantled. Landscapes pass by and with them all memory of their existence. In one instance, it is the present that starts to falter under inequality, at another, all orientation is lost in the future, and at another, the place from the...
The environment in the three films is shattered, dismantled. Landscapes pass by and with them all memory of their existence. In one instance, it is the present that starts to falter under inequality, at another, all orientation is lost in the future, and at another, the place from the...
16.-21.4. Fest 2024 16.-21.4. Fest 2024 16.-21.4. Fest 2024